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I Married a Dead Man (Crime, Penguin) Review & Ratings

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I Married a Dead Man (Crime, Penguin) Review

Cornell Woolrich was the father of film noir and this book certainly reads like it. Think Barbara Stanwyck, who starred in the movie version. One of Woolrich's other stories eventually became REAR WINDOW.
The pacing in the novel is remarkable. At first it almost stops as the girl stands in front of a door and later listens to the dial tone as she tries to reach her lover who has left her pregnant and alone. But then it picks up as the girl heads west on a train, meets a newlywed and her new husband who show her compassion. The train crashes and somehow the two switch places and the girl is summoned back east where she becomes Patrice, the rich girl.
I was also impressed by Woolrich's pronoun usage. He refers to the girl as "she", although she does have a name, Helen. He begins several sentences in a row with the word "she", doesn't worry about varying his paragraph beginnings. Yet, this doesn't bother the reader a bit. Later on when she switches places with the rich girl, she becomes Patrice, so I imagine Woolrich is saying something about social class.
The setting, The Great Depression, adds a lot to the story. When she dials her lover, the girl asks the operator for her nickel back because it's the only money she has. Her former lover does leave her five dollars, along with railroad tickets, but when she boards the train, she's left with only seventeen cents, which she keeps throughout the novel.
I was bothered by the beginning which, in effect, told us how the novel would end. I imagine this was supposed to add suspense, but all it did for me was tell me Patrice and Bill would eventually hook up. Also, that despicable heal Georgesson giving Helen five dollars didn't quite ring true, and I was wondering why he would travel thousands of miles to identify Helen's body when he obviously couldn't care less what happened to her. I can only surmise that Woolrich needed Georgesson to give her the railroad tickets as a plot device (which should be hidden).
The ending will also rattle some cages as the reader must furnish her own. You'll read it over several times, I can guarantee you.

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Light in August (The Corrected Text) Review

After reading Faulkner's four major masterpieces -- The Sound and the Fury; Absalom, Absalom!; As I Lay Dying; and Light in August -- I've come to the conclusion that Light in August is far and away the easiest to read, has the most dramatic plot, the most intriguing primary characters in Joe Christmas, Gail Hightower and Joanna Burden, and even some of his most intriguing minor characters in Uncle Doc Hines and Mr. McEachern. Overall, it is his most readable and likeable masterpiece. And it leaves you wanting so much more.
The complex and ambiguous character of Joe Christmas alone could have been the source of three or four novels detailing different times in his life. While Christmas is hardly a likeable person, he is fascinating, hypnotic, a train wreck; you can't keep your eyes off him. His actions are morally ambiguous and inconsistent and yet fully understandable within his nature. As a creation he deserves to rank with Huck Finn, Tom Sawyer, Captain Ahab and Jay Gatsby in the pantheon of American literary characters.
Faulkner has a big mission here. The novel exposes the evils of racism both in the South and among white, northern abolitionists. It traffics in religious symbolism while savaging religious fanatacism. And it leaves one with a great deal of memorable violent and sexual imagery. And that's just for starters. This book is deep, and while it's storytelling is largely non-linear, it is far more palatable than the other three, which tend to be confusing and obscure. Enjoy this one. If you've never read Faulkner, it's a great starter.

Light in August (The Corrected Text) Overview

"Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it is good, you'll find out. If it's not, throw it out the window." —William Faulkner Light in August, a novel about hopeful perseverance in the face of mortality, features some of Faulkner's most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.

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